Category Archives: environment

Dan Peters

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Mom Stands Where the Orchard Stood

 

There was this one tree that did not go down. It was the last
of Matson’s orchard. I was four years old, standing next to Mom.
We’d been out all day with errands and returned home
to find the apple trees gone. A man pushed them into piles,
even those my mother had marked with pink tape.
And he would’ve knocked down the last one had we not
come home and had Mom not dropped her groceries
right there behind the garage and gone to the field and stood
with her hands on her hips until the man noticed her
and shut down his tractor. He came over long enough
to hear her say, You were supposed to leave
those trees. I marked them. His face was covered in dirt
and wet with perspiration. His brow lined into a question.
Mom’s face was cool and dry. Leave this tree, please. There is this one tree
across the right of way from the house that still grows apples,
still shades her children and grandchildren. Each year wild,
unpruned branches drop fruit like it’s nothing, like it is not alone.

 

 

Dan Peters teaches English at Yakima Valley Community College. Since 2010, Peters has been the co-editor of Blue Begonia Press, a publisher of poetry and fine literature. His own books, published by Jim and Karen Bodeen, former editors at Blue Begonia, include, Down the Road the Children Go (2009), The Reservoir (2002), and the chapbook, In the Easement of Absent Ties (1998). Peters lives in Selah with his wife and two children.

Emily Warn

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Talking with the Gigantic Maple About the Dragonfly

 

Neither you
nor I
can mimic
a dragonfly
though your seed-wings
clack
like their wings
when they take off
in unison
to practice backflips
above the lake.

Nor can we balance
on a single blade
of shore grass,
admiring ourselves
to shame the lake
into polishing its mirror.

But we can be still
and hear the quiet
between
two echoing thrush.

And in the hush
of our leaves
and breaths
conjoined,
we can see
universes
in the dragonfly’s
eight eyes.

 

(from “Flowering Branches” in The Novice Insomniac (Copper Canyon 1996))
“I stood where you would not see me
And my armload of flowers.”

 

For Emily Warn, poetry links music and meaning every bit as powerfully and oddly as religious traditions do, inventing complicated, invisible relations. She moved to the Pacific Northwest 1978 to work for North Cascades National Park, and a year later moved to Seattle where she has lived, more or less ever since. Sherecently served as the Webby Award–winning founding editor of poetryfoundation.org, and now divides her time between Seattle and Twisp, Washington. Warn has published five collections of poetry, including three books: The Leaf Path (1982),The Novice Insomniac (1996) and Shadow Architect (2008), all from Copper Canyon Press, and two chapbooks The Book of Esther (1986) and Highway Suite (1987). Her essays and poems appear widely, including in Poetry, BookForum, Blackbird, Parabola, The Seattle Times, The Writers’ Almanac. She has taught creative writing or served as writer-in-residence at many schools and arts centers. She was educated at Kalamazoo College and the University of Washington, and was a Stegner Fellow at Stanford University.

 

Jeanne Gordner

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River Float – 1950

Three Children and I on inflated mattresses
…….drifted Toutle River’s snowmelt water
…….eddied quietly to a narrow gorge where

the river narrowed between rocky cliffs
dropped steeply…… surged
… white water roiling and spinning
…… past boulders and downed trees.

Toutle’s steep descent tossed us
airborne into whirlpools…… under water and
above again ….in confined passage
between cliffs and reaching driftwood.

water’s roar and echo
. overwhelming our screams, hurled us
……over deep holes…… under tree limbs
………………………. like homing fish.

…….Half a mile downstream the canyon
…….opened and Toutle quieted to the percussion of
…….water against stony beach.

We waded ashore
…. heard nests of song in alder and aspen
.. . felt sun’s heat.

Elated with our venture
we trudged the road back to camp and
… abandoned ourselves again and again
…… to river’s icy race and swirl,
………. its fluid passage between rock and rock. Until

too weary to tramp the road again
we sat and watched water patterns
interlace and elongate westward
watched as sun slid behind trees
its last light dancing in the river.

 

 

(In 1980 Mt. St. Helens erupted, filling the gorge with muck and trees)

 

Jeanne Gordner grew up in Longview Washington, then enrolled in Reed College, majoring in Political Science.  Lloyd Reynolds introduced her to modern poetry, and she has been writing ever since. Eventually she became a teacher and taught for several years in Yakima, and then substituted in Oak Harbor schools when her family moved to Whidbey Island.  She returned to Olympia and was one of the original members of Olympia Poetry Network, which has enriched her writing life in many ways. Currently she lives in a retirement community and participates in a writing class. She has published three chapbooks.  

D. C. Miller

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Keeping Bees Since the Eruption

 

Since you found the burst of fireweed
where the scorched bear plied the chomping brook,
saw crimson blooms squeeze through rent cedar,
told the ladies there are flowers
tasseling for the rest of their lives,
bore them up St. Helens’ spine,
faced their doors toward morning sun
where guard bees wing the gray mist fleeing,
felt the singe of venom in your veins, imagined
fresh comb full-capped, plugged with honey,
interred the dead in ash, and set
her white mansions where earth fell apart—
you can wait with them for the dawn.

Since you were stung in the night,
each sting union and requiem—
you feel the earth’s spin,
understand the dance of bees.
You sense in every Apis mellifera
renewal and matriarch,
and when you push your way
through cheek-high flowers, the bees,
a galaxy of copper stars with frail wings,
the swarm is ether, zuzzing a new skyline.

 

“Keeping Bees Since the Eruption” is reprinted from North American Review.

 

D.C. Miller stumbles up to alpine country regularly, guides ocean kayakers to the B.C. coast, and sorely tries to avoid the ER, from close encounters with the teeth of his Great Pyrenees dog.  Although his commercial beekeeping days are over, he continues to urge small females to fly into his heirloom apples to lick flowers. When not writing, you can find him tethered to “Barkley”, dragged to new heights in the Columbia Gorge &  North Cascades.  He lives in White Salmon.

Dennis Held

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Sonnet for a Baby Seal

 

Not the one you see on television,
Head tilted up to look like a whiskered
Infant, those pleading, liquid eyes . . . this one
Was real, on black Alaskan sand, ridiculous
With an eagle beating its wings against
The seal’s head, both screaming, the pup too young
To get away, too old to die at once.
The eagle, talons buried, pecked at one
Eye only, to force a way in. Of course
I beat the eagle off with driftwood.
Yes, I tried to kill the baby seal. No one
Could say I didn’t try hard enough.
But when I turned to leave, it swam away,
Blinded, silent, bearing news from Hell.

 

 

“Sonnet for a Baby Seal” is reprinted from Ourself (Gribble Press. 2011).

 

Dennis Held received his BA from The Evergreen State College, and his MFA from the University of Montana, where he was awarded the Academy of American Poets prize. He lives in Spokane, and teaches in a writers in the schools program for Eastern Washington University. His work has appeared in Poetry magazine, Alaska Quarterly Review, and many other journals. His first book of poetry, Betting on the Night, was published in 2001 by Lost Horse Press, and his second collection, Ourself, was published in 2011 by Gribble Press.

Diane Allen

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Wasco Wind Farm

 

surreal sentinels
faceless worshippers of the wind
it’s an army of whirlybirds
sleeping in the sun

the windmills of our childhood
were tall wooden contraptions
like erector sets with tinkertoy sails

we climbed them till our dad shouted
GET OFF THAT WINDMILL
morning glories climbed its legs, too
the paint was gray and peeling

now, in an Oregon wheatfield
the wind starts the towers spinning
power to run our homes and lives
they make a low, soft sound
kind of a hum

it could be music, but
it isnt

 

 

Diane Allen is a retired history professor, poet, violinist and pianist who lives in White Salmon. She has organized poetry and other literary readings for the White Salmon library, including the William Stafford Memorials. Her poem ‘st patricks day at the vets home’ won the Wordstock Poetry Challenge in 2005.Diane has published in the local press – Hood River News and White Salmon Enterprise. Her poem ‘Kneeling at Ken Kesey’s Statue’ was published in a left-wing rag in Portland.

Gary Lemons

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Snake’s Karma

Why this be as it is he wonders.
Questions boundin round inside
His tube like echos in a sewer pipe.

Why not some better endin
For everything—why we got to bring
Down the whirlwind on ourselves,
Past and present rubbed together
Til the future’s set on fire?

Why can’t we do this simple
Thing—love one another, love the land
Includin the land of one another
And the planet where it happens?

What keeps us from gettin it right
And makin peace with death so as
We don’t fear it so much we be invitin
It prematurely into our hearts.

Snake thinkin about this but all the time
He’s salivatin bout the good taste
Of a bone still got some of the critter on it.

 

 

“Snake’s Karma” is reprinted from Snake, Red Hen Press, 2012.

 

J. Gary Lemons writes, “There is tradition but there is also freedom from tradition.  Meaning really there is just freedom.  To look–to see the invisible lines between things, to color the world with thought and paint its huge relevant inexpressible ironies with the tiny brush of personal devotion.  The choice is the gift.  The rest is practice.

I want to be at that place where individual memory and collective memory intersect. Like a scientist picking the fragments of mesons and quarks left after a high speed particle collision,  I want to rake through the details of bones, of threads and odd symbols and mirrors every human being leaves in the safety net below them.  I want to draw attention to, perhaps even comfort, the trembling pieces as they begin to fade.”

His poetry collections include Fresh Horses (Van West & Co., 2001), Bristol Bay: And Other Poems (Red Hen, 2009), and Snake (Red Hen, 2012). He lives in Port Townsend.

 

Barbara Gibson

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McLane Creek

No need to be afraid
in the dark wood.
Walk near the fox’s den,
the possibility of a coyote,
or toward the beaver’s lodge
sinking into the lily pond.

When you take a single step
into the dense green,
into the comfort of high firs
and the dazzle and pattern
of light among leaves,
there is no need to worry.

You will discover the realm
of dropping yourself,
of losing interest
in the small, failed you.

There is no need
for fear because every fern
and every simple moss
assures you
that you are suitable
for such a life.

The shimmering dragonfly,
stunning and buzzing,
and the red-winged blackbird
skimming over rushes, and each
finch who sits on a sturdy thistle

truly, though you
may not see this,
welcomes you into
the still pond and into
the buzzing meadow
of bright acceptability.

So therefore it is
not necessary to be afraid
once your legs and heart
walk you into the deep,
vivid comfort of just how
here you are.

Barbara Gibson was a counselor at The Evergreen State College, retiring in the late 90’s. She has written poetry all through the years and the changes. She also writes plays, one of which, “The Abolitionist’s Wife: the Saga of Mary Brown” was produced in Olympia this summer to sold-out audiences. Major literary influences include Paul Goodman, Kenneth Rexroth, and Robert Bly, all of whom she was lucky enough to know personally. In Olympia, she is privileged to be a friend of Jeanne Lohmann, who would be Olympia’s Poet Laureate, if we had one. She appreciates the talented and generous poetry community there.

Mario Milosevic

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When I Was

When I was a bear
I filled the world.
My paws were wide,
and I walked large.
I ate all summer
and slept all winter,
dreaming of the time

when I was a dragonfly
and I wove the world.
Darting through air,
skimming over grass,
hovering on water,
my compound eyes
embroidering my dreams of the time

when I was a turtle
and I carried the world.
Walking slowly with the weight,
squat body on four thick legs,
hard shell holding me in,
keeping my dreams of the time

when I was a salmon
and I fed the world.
Sleek skin sliding down river throats,
pink flesh nourishing my cousins.
I swam upstream,
where death took me
and I swallowed my dreams of the time

when I was a tree
and I held the world.
Roots gripping soil,
branches embracing sky,
my vision
encompassing dreams of the time

when I was a raven
and I sang the world.
Single note struck from my throat,
pushed into air,
the sound a call to listen
to the unseen
and honor my dreams of the time

when I was a bear;
when I was a dragonfly;
when I was a turtle, a salmon, a tree;
when I was a raven.

 

“When I Was” is reprinted from The Journal of Mythic Arts and Animal Life (Green Snake Publishing).

 

Mario Milosevic’s poems and stories have appeared in Black Warrior Review, Rattle, Alfred Hitchcock’s Mystery Magazine, The Magazine of Fantasy and Science Fiction, and many other magazines. His novels include Terrastina and Mazolli: A Novel in 99-Word Episodes, Claypot Dreamstance, and The Coma Monologues. He has published three volumes of poetry: Animal Life, Fantasy Life, and Love Life. All his books are published by Green Snake Publishing. He lives with his wife, writer Kim Antieau, in the Columbia River Gorge and works at the Stevenson Community Library in Stevenson, Washington.

 

Stephen Wallenfels

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The Very Last Time I Shot a Gun

 

I don’t recall whose idea it was the two of us
swishing through knee-high clover while
grasshoppers launched in frenzied flight as if they
knew our purpose before we did.

The gun lead-heavy in my hands and BBs rattling
in my Skittle box and his short legs churning
behind me while I watch for poison oak and gopher
holes and the silken weave of milk snakes big
as submarines.

We reach the water’s edge misty-still where our
quarry basks in memories of a lust-filled
night drunk on the endless possibilities
of a pond beneath the stars.

They slip into mud between the reeds but
we wait for their unblinking eyes to
surface then shoot and shoot and shoot until
all bubbles stop rising and the first belly
floats up a creamy pillow of unexpired air.

Later with windows open we listen to mayflies
bounce against the screen and the belly-growl of
far-off thunder and father popping the top off
yet another Bud my while brother whispers
I can’t hear them and he’s right

the baritone call for love is gone and that
aching note of silence is
emptiness defined.

 

 

Stephen Wallenfels launched his writing career with a short story about a lucky chicken’s foot in National Racquetball Magazine in 1985. That developed into ten years of publishing over 100 feature articles, columns and humorous essays for fitness trade journals. During that time he continued to develop his fiction skills and published several short stories for kids and adults. In 2012 he published his debut novel, POD, with Ace, the SciFi imprint of Penguin USA. While writing fiction receives the bulk of his attention, Stephen’s first love of the written word was, (and still is) poetry. He looks forward to courting that relationship again. He lives in Richland.