{"id":489,"date":"2012-06-03T21:36:52","date_gmt":"2012-06-04T05:36:52","guid":{"rendered":"http:\/\/kathleenflenniken.com\/blog\/?p=489"},"modified":"2012-06-03T21:46:18","modified_gmt":"2012-06-04T05:46:18","slug":"kary-wayson","status":"publish","type":"post","link":"http:\/\/kathleenflenniken.com\/blog\/?p=489","title":{"rendered":"Kary Wayson"},"content":{"rendered":"<p><strong>The Lives of Artists<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong>I\u2019m a nuisance on my route, an imposition <\/strong><\/p>\n<p>in the alleyway, just past the house of<br \/>\nshared custody: glass clock in the window like a ticking<br \/>\nterrarium. I manage like a mother<br \/>\nwith a daughter who looks just like her father<br \/>\nand I am almost up to here<\/p>\n<p>where once, in an alcove<br \/>\nof myself, I lingered in a stand of birches. Here<br \/>\nmy mind gets shy<br \/>\nas if I\u2019d asked my daughter to say hello<br \/>\nto a stranger. I don\u2019t have a daughter. But crossing the street,<br \/>\nI jerk her little arm.<\/p>\n<p><strong>There is a joy in talking through an open window with a friend<\/strong><\/p>\n<p>on the sidewalk below. My mother understood it, with her<br \/>\nunderwater tea parties on the bottom of the swimming pool.<\/p>\n<p>Map for me my walking route and I will walking go.<\/p>\n<p><strong>It is new to be beautiful <\/strong><\/p>\n<p>and unseemly to say so. I manage<br \/>\nmany paintings of the same Catholic saints, each<br \/>\nfamily holy according to another &#8212;<br \/>\nand then we get to the Caravaggio.<\/p>\n<p>It\u2019s new to be beautiful<br \/>\nand boring. It\u2019s like counting to two<br \/>\nand turning around<br \/>\nand counting to two again.<\/p>\n<p><strong>But I was good! I was good! I let <\/strong><\/p>\n<p>the offer lie there like I\u2019d rent<br \/>\nan empty room: the one electrical outlet,<br \/>\nthe sink in the corner, the pull-out, the sofa.<\/p>\n<p>I took how many tenants through.<\/p>\n<p>The only clothes I&#8217;m wearing now<br \/>\nis the dress on the bed beside me \u2013<\/p>\n<p><strong>And I am to bed like the station to the train: <\/strong><\/p>\n<p>to the bed headed<br \/>\nby the street below it. I mean<br \/>\nI am the station. There is the train<br \/>\nlike a river<br \/>\nderanged by colors of cargo.<\/p>\n<p>I go to the river<br \/>\nto read red books<br \/>\nand reason &#8212;<\/p>\n<p>I sit with the sky. I go for a walk<br \/>\nto visit this direction:<br \/>\nreally there\u2019s no need to rhyme.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&#8220;The Lives of Artists&#8221; was previously published in <em>Crazyhorse,<\/em> and the winner of the Linda Hull Memorial Prize, selected by James Tate.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/darkskymagazine.com\/interview-poem-with-kary-wayson\/\">Kary Wayson&#8217;s <\/a>poems have appeared in <em>Crazyhorse, <a href=\"http:\/\/www.poetrynw.org\/\">Poetry Northwest,<\/a> Alaska Quarterly Review, The Nation, The Journal, FIELD, Filter, The Best American Poetry 2007, <\/em>and the 2010 Pushcart Prize anthology. Kary was a 2003 Discovery\/The Nation award winner, and her chapbook, <em><a href=\"http:\/\/www.cafepress.com\/litrag.10628913\">Dog &amp; Me,<\/a><\/em> was published in 2004 by LitRag Press. Her first full collection, <em><a href=\"http:\/\/osupress.blogspot.com\/2009\/10\/wayson-american-husband.html\">American Husband,<\/a> <\/em>won the Ohio State University Press\/ The Journal Award in 2009. Kary lives and works in Seattle.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Lives of Artists &nbsp; I\u2019m a nuisance on my route, an imposition in the alleyway, just past the house of shared custody: glass clock in the window like a ticking terrarium. I manage like a mother with a daughter &hellip; <a href=\"http:\/\/kathleenflenniken.com\/blog\/?p=489\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[25,8],"tags":[175,176],"_links":{"self":[{"href":"http:\/\/kathleenflenniken.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/489"}],"collection":[{"href":"http:\/\/kathleenflenniken.com\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/kathleenflenniken.com\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/kathleenflenniken.com\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/kathleenflenniken.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=489"}],"version-history":[{"count":5,"href":"http:\/\/kathleenflenniken.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/489\/revisions"}],"predecessor-version":[{"id":493,"href":"http:\/\/kathleenflenniken.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/489\/revisions\/493"}],"wp:attachment":[{"href":"http:\/\/kathleenflenniken.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=489"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/kathleenflenniken.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=489"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/kathleenflenniken.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=489"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}