{"id":2156,"date":"2013-11-06T07:01:45","date_gmt":"2013-11-06T15:01:45","guid":{"rendered":"http:\/\/kathleenflenniken.com\/blog\/?p=2156"},"modified":"2013-11-03T08:02:09","modified_gmt":"2013-11-03T16:02:09","slug":"steve-potter","status":"publish","type":"post","link":"http:\/\/kathleenflenniken.com\/blog\/?p=2156","title":{"rendered":"Steve Potter"},"content":{"rendered":"<p><em>\u201cForcing twentieth-century America into a sonnet &#8212; gosh, how I hate sonnets &#8212; is like putting a crab into a square box. You\u2019ve got to cut his legs off to make him fit. When you get through, you don\u2019t have a crab any more.\u201d\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em><\/p>\n<p><em>\u00a0<\/em><em>&#8211;William Carlos Williams<\/em><\/p>\n<p>Boxed Crab<\/p>\n<p>Dear Doctor Williams, with all due respect<br \/>\nFor worlds of pleasure I\u2019ve found in your verse,<br \/>\nOn this account I feel I must defect.<br \/>\nI love your offhand lines &#8212; \u201cso much for the hearse\u201d<br \/>\nFrom \u201cTract\u201d for one &#8212; and how you defied the norm,<br \/>\nFilled your poems with ordinary speech<br \/>\nAnd escaped the strictures of long-standing form<br \/>\nExtending by great lengths the poet\u2019s reach.<\/p>\n<p>But, <em>gosh, <\/em>the twentieth-century whole?<br \/>\nA crab so large should be delegged, declawed!<br \/>\nWho, dredging such a creature from the shoal,<br \/>\nWould not pull back in horror overawed?<br \/>\nA crab of such size must be cut to fit<br \/>\nBoiled, dipped in butter, eaten bit by bit.<\/p>\n<p>&nbsp;<\/p>\n<p>&#8220;Boxed Crab&#8221; is reprinted from<a href=\"http:\/\/www.ablemuse.com\/v9\/poetry\/steve-potter\/boxed-crab\"> <em>Able Muse.<\/em><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/www.pinterest.com\/spottersplace\/poets-writers\/\">Steve Potter<\/a> was active in Seattle&#8217;s literary scene as board member and frequent emcee for <a href=\"http:\/\/en.wikipedia.org\/wiki\/Dogtown_Poetry_Theater\">Red Sky Poetry Theater<\/a> in the &#8217;90s. He performed at events such as Seattle Poetry Festival, Subtext, Rendezvous Reading Series and Cheap Wine &amp; Poetry sometimes accompanied by guitarist Bill Horist or the sitar\/tablas duo Bakshish. He edited an eclectic but short-lived literary magazine called <a href=\"http:\/\/www.bigbridge.org\/issue11\/lmwanderinghermit.htm\"><em>The Wandering Hermit Review.<\/em><\/a> While he keeps a lower profile these days, Potter is writing as much as ever. His work has appeared in journals such as; <em><a href=\"http:\/\/www.ablemuse.com\/v9\/poetry\/steve-potter\/boxed-crab\">Able Muse,<\/a> Blazevox, <a href=\"http:\/\/www.drunkenboat.com\/db5\/potter\/potter.html\">Drunken Boat,<\/a> <a href=\"http:\/\/galatearesurrection3.blogspot.com\/2006\/08\/oxbow-kazoo-by-john-olson.html\">Galatea Resurrects,<\/a> Knock, Marginalia, Raven Chronicles <\/em>and<em> Stringtown<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cForcing twentieth-century America into a sonnet &#8212; gosh, how I hate sonnets &#8212; is like putting a crab into a square box. You\u2019ve got to cut his legs off to make him fit. When you get through, you don\u2019t have &hellip; <a href=\"http:\/\/kathleenflenniken.com\/blog\/?p=2156\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[188,101,666,8,138,1],"tags":[742,741],"_links":{"self":[{"href":"http:\/\/kathleenflenniken.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/2156"}],"collection":[{"href":"http:\/\/kathleenflenniken.com\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/kathleenflenniken.com\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/kathleenflenniken.com\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/kathleenflenniken.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2156"}],"version-history":[{"count":4,"href":"http:\/\/kathleenflenniken.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/2156\/revisions"}],"predecessor-version":[{"id":2180,"href":"http:\/\/kathleenflenniken.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/2156\/revisions\/2180"}],"wp:attachment":[{"href":"http:\/\/kathleenflenniken.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2156"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/kathleenflenniken.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2156"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/kathleenflenniken.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2156"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}