{"id":1936,"date":"2013-09-04T10:43:06","date_gmt":"2013-09-04T18:43:06","guid":{"rendered":"http:\/\/kathleenflenniken.com\/blog\/?p=1936"},"modified":"2013-09-05T15:30:59","modified_gmt":"2013-09-05T23:30:59","slug":"dan-lamberton","status":"publish","type":"post","link":"http:\/\/kathleenflenniken.com\/blog\/?p=1936","title":{"rendered":"Dan Lamberton"},"content":{"rendered":"<p>The Abundance of Rain<\/p>\n<p>&nbsp;<\/p>\n<p>I have some confessions to make\u2014<br \/>\nthey have to do with this century<br \/>\nand how much I don\u2019t want to be led<br \/>\nalong by it any further. They have to do<br \/>\nwith today being nothing about tomorrow,<br \/>\nbut, rather, about history and how<br \/>\nall I know is before me, that is, before<br \/>\nI was, and I confess that<br \/>\nI search through old photographs<br \/>\nfor reminders of who I am. If the people<br \/>\nin early Nebraska somehow hung pictures<br \/>\nof their old homes in Virginia<br \/>\non the sod walls above their gritty beds,<br \/>\nand I am the grandchild made through them,<br \/>\nthen I still carry their dissolved walls<br \/>\nin me, and I confess I want mostly what is past.<\/p>\n<p>Granted, we live in two directions. There should be,<br \/>\nfor the young, the chance to make children. But once<br \/>\nmade, have them look backward. Start<br \/>\nwith pictures of the unclothed, with Eakins\u2019 nude men<br \/>\nalong a tug-of-war rope, their haunches in the grass,<br \/>\nand their heels dug in, and their arms showing they\u2019re no<br \/>\ndifferent from me. A little differently muscled perhaps,<br \/>\nmore formed by old work, by scythes and stone boats,<br \/>\nbut they look like I do and they died. But first they enjoyed<br \/>\nthemselves. And look next at unclothed women, Muybridge\u2019s<br \/>\npanels of them, pouring water on each other\u2019s heads,<br \/>\npicking up children. They have nothing Victorian<br \/>\nabout them. They lived through all that and survived.<\/p>\n<p>There\u2019s a haystack, \u201c1947, Near Norfolk, Nebraska,\u201d<br \/>\nin a Wright Morris photo. And I know that<br \/>\neach of those straws were arranged<br \/>\nby the physics of elbows<br \/>\nand the leverage of hayforks<br \/>\nand that elbows and hayforks<br \/>\ndepended upon the occasional abundance of rain.<\/p>\n<p>So that\u2019s it. It\u2019s about rain, and how I am<br \/>\ndrawn back into it. Remember how we lay<br \/>\ntogether, in that wood-paneled room near Seattle<br \/>\nwith rain washing down so hard we felt<br \/>\nwhat we were doing was cleaned the second<br \/>\nit happened? It\u2019s not that our future was rain,<br \/>\nbut that its sound was a sound we both knew,<br \/>\nthat took us out to itself and we heard, \u201cThere<br \/>\nhas always been rain and there has always, therefore,<br \/>\nbeen you. Even more, there have always been<br \/>\nnumberless thousands of you, not just<br \/>\nnow, not just all of you now who are blind,<br \/>\nbut there was always this sound, rain\u2019s and yours,<br \/>\npounding the outside and inside of walls<br \/>\nlike these, and the Indians\u2019 leather walls,<br \/>\nand the hopeless poor people\u2019s walls,<br \/>\nand also, alas, the walls of all those<br \/>\nwhose ears are closed and who think<br \/>\nthey\u2019re creating the future.\u201d<\/p>\n<p>&#8220;The Abundance of Rain&#8221; is reprinted from a broadside by <a href=\"http:\/\/www.ianboyden.com\/?p=finepress\">Ian Boyden, Crab Quill Press.<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>Dan Lamberton has an MFA in creative writing from the University of Washington and has published poems nationally in journals and magazines such as <em>Sojourners, Northern Lights,<\/em> and <em>Poetry Northwest.<\/em>\u00a0He is the author of <a href=\"http:\/\/www.amoca.org\/product\/on-the-river-through-the-valley-of-fire-the-collaborative-ceramics-of-frank-boyden-tom-coleman\/\"><em>On the River through the Valley of Fire: The Collaborative Ceramics of Frank Boyden and Tom Coleman<\/em> <\/a>(American Museum of Ceramic Art, 2008). His essay, &#8220;Randlett&#8217;s Roethke: \u00a0It Was All So Visual&#8221; \u00a0considering Mary Randlett&#8217;s late photos of Theodore Roethke, appears in the 2013 Spring &amp; Summer Photography issue of <a href=\"http:\/\/www.poetrynw.org\/the-photography-issue\/\"><em>Poetry Northwest.<\/em><\/a> Lamberton has delivered, throughout the state, over 60 lectures on Washington&#8217;s poets for <a href=\"http:\/\/www.humanities.org\/\">Humanities Washington.<\/a> He has also lectured in Seattle for the Teachers as Scholars program, sponsored by the Seattle Arts and Lectures Series, and has taught a summer course at the University of Washington called \u201cA Sense of Where We Are: Literature and History of the Pacific Northwest,&#8221;\u00a0and\u00a0completed <a href=\"http:\/\/www.washington.edu\/uwired\/outreach\/cspn\/Website\/Classroom%20Materials\/Reading%20the%20Region\/Northwest%20Schools%20of%20Literature\/Northwest%20Schools%20of%20Literature%20Main.html\">a northwest literary history anthology in cooperation with the University of Washington history department.<\/a>\u00a0Dan is <a href=\"http:\/\/www.wallawalla.edu\/academics\/areas-of-study\/undergraduate-programs\/english\/people\/faculty\/\">Professor of English and Humanities Program Director at Walla Walla University.<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone\" src=\"http:\/\/uploads4.wikipaintings.org\/images\/thomas-eakins\/male-nudes-in-a-seated-tug-of-war-1884.jpg\" alt=\"\" width=\"500\" height=\"398\" \/><\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone\" src=\"http:\/\/www.eadweardmuybridge.co.uk\/includes\/img\/context\/human\/Woman,-with-child-EM6288.jpg\" alt=\"\" width=\"675\" height=\"477\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Abundance of Rain &nbsp; I have some confessions to make\u2014 they have to do with this century and how much I don\u2019t want to be led along by it any further. They have to do with today being nothing &hellip; <a href=\"http:\/\/kathleenflenniken.com\/blog\/?p=1936\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[61,29,505,122,69,40,8,1],"tags":[651,652],"_links":{"self":[{"href":"http:\/\/kathleenflenniken.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1936"}],"collection":[{"href":"http:\/\/kathleenflenniken.com\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/kathleenflenniken.com\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/kathleenflenniken.com\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/kathleenflenniken.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1936"}],"version-history":[{"count":4,"href":"http:\/\/kathleenflenniken.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1936\/revisions"}],"predecessor-version":[{"id":1940,"href":"http:\/\/kathleenflenniken.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1936\/revisions\/1940"}],"wp:attachment":[{"href":"http:\/\/kathleenflenniken.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1936"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/kathleenflenniken.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1936"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/kathleenflenniken.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1936"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}