{"id":184,"date":"2012-03-12T20:40:10","date_gmt":"2012-03-13T04:40:10","guid":{"rendered":"http:\/\/kathleenflenniken.com\/blog\/?p=184"},"modified":"2012-03-12T20:41:33","modified_gmt":"2012-03-13T04:41:33","slug":"dennis-caswell","status":"publish","type":"post","link":"http:\/\/kathleenflenniken.com\/blog\/?p=184","title":{"rendered":"Dennis Caswell"},"content":{"rendered":"<p>Kandinsky: Composition 8, 1923<\/p>\n<p>&nbsp;<\/p>\n<p>An explosion in Stravinsky\u2019s robot workshop:<br \/>\nnow poor Igor will never complete<br \/>\nhis troupe of clockwork dancers, which,<br \/>\njudging from this jagged blast<br \/>\nof armatures, sprockets, escapements and flanges,<br \/>\nwould have looked less like metal humans<br \/>\nthan graceful assemblies of drafting supplies:<br \/>\njet\u00e9 of dividers, pas de bourr\u00e9e<br \/>\nof mechanical pencils and pantographs.<br \/>\nThis watchmaker\u2019s orgasm, this architectural plan<br \/>\nfor the Church of Dissonant Space Flight,<br \/>\nthese mad extrusions and stampings and lathe-spun<br \/>\nlenses perform the airborne metal music<br \/>\nof migrating mathematics, honking along the flyways<br \/>\nof a just-manufactured heaven, a heaven<br \/>\nwhere twentieth-century robots can dance,<br \/>\ncan fly, can worship<br \/>\nthe innards that make them tick.<\/p>\n<p>&nbsp;<\/p>\n<p>Dennis Caswell lives outside Woodinville, Washington and works as a software engineer in the aviation industry. Before that, he designed and programmed computer games and educational software. His work has appeared in <a href=\"http:\/\/www.floatingbridgepress.org\/\">Floating Bridge Review,<\/a> <a href=\"http:\/\/www.crabcreekreview.org\/\">Crab Creek Review,<\/a> Burnside Review, <a href=\"http:\/\/www.callmevain.com\/\">Vain,<\/a> and assorted other journals and anthologies.<\/p>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone\" src=\"http:\/\/samlow.com\/images\/KandinskyComposition8Gugenheim.jpg\" alt=\"\" width=\"485\" height=\"340\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Kandinsky: Composition 8, 1923 &nbsp; An explosion in Stravinsky\u2019s robot workshop: now poor Igor will never complete his troupe of clockwork dancers, which, judging from this jagged blast of armatures, sprockets, escapements and flanges, would have looked less like metal &hellip; <a href=\"http:\/\/kathleenflenniken.com\/blog\/?p=184\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[12,8,1],"tags":[59,60],"_links":{"self":[{"href":"http:\/\/kathleenflenniken.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/184"}],"collection":[{"href":"http:\/\/kathleenflenniken.com\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/kathleenflenniken.com\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/kathleenflenniken.com\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/kathleenflenniken.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=184"}],"version-history":[{"count":2,"href":"http:\/\/kathleenflenniken.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/184\/revisions"}],"predecessor-version":[{"id":187,"href":"http:\/\/kathleenflenniken.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/184\/revisions\/187"}],"wp:attachment":[{"href":"http:\/\/kathleenflenniken.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=184"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/kathleenflenniken.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=184"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/kathleenflenniken.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=184"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}